Investigation on western hunan miao folk song and ethnic culture
Author(s):
Wang, Zhu Qing
Format:
Thesis
Degree granted:
Master
Publisher:
Ann Arbor : Hunan Normal University (People's Republic of China), 2009.
Language:
Chinese
Abstract:
Translation from original language as provided by authorThis article first classifies the Miao songs according to the aspects of the content and format of songs, analyzes the basic characteristics of western Hunan Miao songs; then recounts the history of western Hunan Miao songs, focusing on the history of western Hunan Miao songs and prosperity, first interpreted from the plate Song of songs with the fly grand, grand emotions flowing, as well as the development of thriving scene today. Then focuses on the analysis of the reasons for the development of Miao songs. Then, in the analysis of the writing style of western Hunan Miao songs after, from the poetry of language, folk-style melodies, unique rhyme these three aspects of its artistic features. This article focuses on carrying out a cultural analysis of western Hunan Miao songs and cultural thought. A Cultural Analysis of western Hunan Miao Song based on a variety of Miao folk culture, folk culture by exploring traditional festivals, songs and Miao relationship in daily life of folk songs of the relationship between culture and seedlings through the exposition Miao Nuo culture of song and folk culture, heritage, culture and demonstrated western Hunan Miao folk songs in harmony. West Hunan Miao songs from a culture of thinking is the beginning of each song, fell in love songs, love songs and resentment analysis of Hmong love songs romantic rural ambience true inner feelings, and then explores the Hmong migration song "Welcome to Wikipedia," style "native simplicity" and the epic style " majestic atmosphere "and thus from the perspective of cultural and artistic characteristics, revealing the character and western Hunan Miao Miao culture, the relationship between the