Perpetual refugee: Memory of the Vietnam War in Asian American literature
Author(s):
Fung, Catherine Minyee
Format:
Thesis
Degree granted:
Ph.D.
Publisher:
Ann Arbor : University of California, Davis, 2010.
Pages:
233
Language:
English
Abstract:
This dissertation investigates the ways in which the refugee provides a counternarrative to models of citizenship that privilege immigration and assimilation. I treat the refugee as a figure that is suspended between citizen and alien, and that is at once constructed by state apparatuses and deployed in order to reify or contest what the nation supposedly stands for. Refugee status is granted with adherence to specific laws and regulations set by the US and the international community. At the same time, the "success" or "failure" of refugees' resettlement is often used to both rewrite the US's involvement in past wars and justify its involvement in current ones. For example, the narrative of the "good refugee," which valorizes capitalism and equates "freedom" with upward mobility, is now often used to fold the Vietnam War into the United States' list of "good wars." Rather than view the refugee as a mere byproduct of war, I argue for a method of treating the refugee as a rubric upon which the United States constructs its collective history. Thus Perpetual Refugee offers a critical examination of how the Vietnam War serves as a condition that allows for refugees to be represented, as well as of the terms of citizenship that the war negotiates. Chapter One examines Vietnamese American cultural production, focusing on the ways in which memoirs written by second-generation Vietnamese Americans channel memory of the war, and the loss that it produced, through tropes of wounding, which become the condition that grants visibility for refugees in the United States. Chapter Two expands upon this issue of nationalism and visibility through an examination of a refugee group that is "nation-less" and largely invisible: the Hmong who fought as allies to the U.S. during the "Secret War" in Laos and Cambodia. Chapter Three unpacks the category of the refugee as it is mediated through literary, psychological and legal discourses. Chapter Four challenges the genre of "Vietnam War literature" by reading Monique Truong's The Book of Salt as a novel that relies on memory of the war in producing its meaning.