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1. Singing as Social Life: Three Perspectives on Kwv Txhiaj from Vietnam.

Author(s):: Briain, Lonán Ó
Format:: Journal article
Citation:: Hmong Studies Journal, Volume 13, (2012-12). pp. 27-Jan.

2. Music of the Hmong: Singing Voices and Talking Reeds

Author(s):: Catlin, Amy
Format:: Book
Publisher:: Providence, R.I : Center for Hmong Lore, 1981.

3. The Effect of Speaking the Tonal Language Hmong on Kindergarten Children’s Singing Accuracy.”

Author(s):: Wells, B.B.
Format:: Thesis
Publisher:: University of St. Thomas, 1991.

4. Homo Cantens: Why Hmong Sing During Interactive Courtship Rituals.

Author(s):: Catlin, Amy
Format:: Journal article
Citation:: Selected Reports In Ethnomusicology, Volume 9, (1992). pp. 43–60.

5. Speech Surrogate Systems of the Hmong: From Singing Voices to Talking Reeds

Author(s):: Catlin, Amy
Editor(s):: and Douglas P. Olney, Bruce T.Downing
Format:: Conference presentation
Publisher:: Minneapolis : Center for Urban and Regional Affairs, University of Minnesota, 1982.

6. Dreaming Across the Oceans: Globalization and Cultural Reinvention in the Hmong Diaspora

Author(s):: Lee, Gary Yia
Format:: Journal article
Citation:: Hmong Studies Journal, Volume 7, (2006). pp. Jan-33.

7. From Kwvtxhiaj and PajNtaub to Theater and Literature: The Role of Generation, Gender and Human Rights in the Expansion of Hmong American Art.

Author(s):: Vang, Nengher N. and Hein, Jeremy
Format:: Journal article
Citation:: Hmong Studies Journal, Volume 18, (2017-01). pp. 18-Jan.

8. Trans orming the World and Oneself: The Arts and Hmong American identity

Author(s):: Hones, Donald F., Xiong, S., Xiong, Ma Lee, Vang, Chan, Vang, Hue, and Debroux, Amy
Format:: Book section
Publisher:: Minnesota Historical Society Press, 2012.